Los Angeles 2017 Letter to My Parents Contest Award recipients and letters.
Chicago 2017 Letter to My Parents Contest announcement, award recipients, and letters.
Letters from the finalist of the 2017 Letter to My Parents Contest in Hawaii.
Letter announcement for the 2016 Letter to My Parents Contest in Hawaii.
2018 Letter to My Parents Contest in Hawaii flier.
Poesía. Edición Bilingüe.
Profundiza en mi alma, corazón, profundiza en un cielo a todas luces maldito. Mi execrable voluntad fue buscando la entrega y algo que ardiera como la belleza en el ala del abejaruco. ¿Qué es el afecto comparado con una croqueta canina? ¿En qué pueden parecerse? Pienso en el amor, pienso para perros.
Lyon is the seventh of 17 chapters published in serial form. It is here dénoûments are made of the plots ushering cataclysmic Change.
Entr’acte: France, 1913 — Les Daemons æternels in this play shall perform as they have for centuries done; and, these acts, in which they are seen in this Modern Age, that may have been written in custom-houses of Lunacy when in other times were written in athenæums sublimis ab undaes, shall succor those affrighted and dismayed.
My Secret Family aka Sugar Crash is a cult novel about personality and eating disorders, originally written as a short story in 1991 and published as a novel in 1997. The novel went viral in 1997. By 2005 the characters in the book, each represented by a personality disorder, were considered a 'pro-ana' secret language by the media, even though the book has no 'pro-ana' message. The story spread in an unusual fashion because it was originally published, not in book form,...
Suffer to be Beautiful By Ana I don't eat bread or chocolate cake, in dinners and breakfasts I do not partake, there's cherry plum pudding cooled fresh on the sill, it may as well sit there – to me it's all swill. I cannot remember the taste of dessert, when I climb out my dress my ribs creak and they hurt, I'm down three sizes to a minus 2, I need to put cotton in the sides of my shoes. I cry in my sleep for one last little bite, a glass of tap water st...
Notre-Dame-de-Grâce is the first of 17 chapters published in serial form wherein Zoë meets the Ferryman and the Lighthouse-Keeper.
L’Ancien Régime: France, 1913 — Modern vicissitudes in les Belles Époques had ascended in a progressive era which begat the Machine Age. Presidents, Lords, Kings, Courts, Parliaments and Congresses and Leagues were belaboured against the Senses of Reason and Logic as they indulged with the Seven Deadly Vices: Sloth, Jealousy, Greed, Ignorance, Intolerance, Despair and Fear; and, in the intrigues performed, they would be sent forth on that voyage where all are passenger.
Saint-Étienne is the sixth of 17 chapters published in serial form wherein Zoë went in the département Loire where it was discussed the six spheres—la Terre, l’Enfer, le Purgatoire, le Paradis and les Limbes—that, if one believes la Terre is in the liminality—confluence—of Spheres, Plurality exists; and, all things during those days were done while grand clockworks were begun after Plan XVII was adopted by the French Conseil Supérieur de la Guerre.
Indigenus: France, 1913 — Autochthones and Wights - les Citoyens immortels - in the Three Kingdoms of l’Ancien Régime sought the evanescence of Past returning as Belle Époque wanes with presentiment of the events that would come as Man exults Progress.
An exploration of the vital importance of imagination and experience, as exemplified in the works of William Blake and Jacob Boehme. This paper is based on a lecture given at the Temenos Academy London, and published in the Temenos Academy Review 20 (2017).
Boehme wrote of his works that ‘a Man’s Reason, without the light of God, cannot come into the Ground [of them], it is impossible, let his wit be ever so high and subtle, it apprehends but as it were the Shadow of it in a Glass’.17 As Blake wrote in Jerusalem, when ‘the Reasoning Power in Man’ is ‘separated/From Imagination,’ it encloses ‘itself as in steel, in a Ratio/Of the Things of Memory’.
Zone-Saint-Cloud is the fourth of 17 chapters published in serial form wherein Zoë meets the Statesman; and visits le Closet des Brumes arcade and les Trois Magies arcades: Theourgia, Maleficium, Spiritalis; listens to The Scrivening Tale; attends a Tent Revival on the flat lands in département Drôme; and, views a Théâtre Tale.
Intrigues and Plots: France, 1913 — Statesmen, Chancellors, Ministers, Potestates and Lords conspire with Intolerance: Aristocracy, Timocracy, Tyranny, and enlightened Despotism were enlarged by the swift increase of their acts of Imperialism.
Grand Canyon du Verdon is the third of 17 chapters published in serial form wherein Zoë meets the Judge, the Tiger, Guillaume Merle, the Chess Player, the Prostitute, and the Sylphide-Collector; and, passes the twenty arcades of Magia Naturalis.
Alliances and Ententes: France, 1913 — England, France, Italy, Russia, Serbia, Montenegro, Albania, Greece, Portugal and Rumania; the German Empire, the Austro-Hungarian Empire and the Ottoman Empire.
Vese is the second of 17 chapters published in serial form wherein Zoë meets the Astronomer, the Lamp-Lighter, the Aristocrat, and the Chancellor; and, visits les Sept Arts interdits arcade, Grand Hôtel Dieu de Vese, and Autochthones and Wights arcade.
L’Âge Moderne: France, 1913 — Statesmen, Chancellors, Ministers, and Lords sought the divine virtues of Imperialism and Colonialism under the Arguments presented by agents of the Nine Cardinal Virtues: Divinity, Honour, Justice, Melancholy, Piety, Prudence, Sovereignty, Temperance and Transcendence for the States mired in Panic and Depression; and, injustices remaining from the Napoleonic and 1870 Wars.
Tournon is the fifth of 17 chapters published in serial form wherein Zoë continues on her promenade.
Potestates: France, 1913 — Monarchies, Republics, Terrors, Consulates, Confœderacies and Religions and Empires sought dominion over all things in Nature; and, by their extended acts of Colonialism, so would make Earth as sepulture in the vault of Æther.
“EDITORIAL DE FUNDACIÓN Ficticia, según diccionarios y enciclopedias, es un ave que, en ciertas regiones de México, emite un canto parecido a la eternidad. Son muchos los aventureros y naturalistas, desde Quetzalcóatl hasta Alexander von Humboldt, que han intentado atraparla, pues la leyenda señala que de lograr enjaular su música, el captor logra su propia inmortalidad. Casi extinta a principios del siglo XX por un fenómeno no del todo explicado, todavía en regiones a...
Winifred starts her story off in the first person, to create a personable feel for the reader; she then changed her story to the third person as it reads like fiction with all the colorful characters evolving. The reader must remember that everything in this story is actual facts of what happened in Winifred’s life; hence the story is a historical document as well. It is delightful to read, heartfelt, funny and also at times will have you in tears so be ready with your tissue boxes.
The light and the dark shadows danced in grotesque shapes on the freshly painted green and cream walls, at times, reaching out, in mythical movements, towards the well baked off-white of the ceiling. A loud ticking alarm clock, from its place of importance on the mantle-piece, disturbed the silence of the room, acting like a hypnotist’s metronome on the man sleeping in the deep old fashioned arm chair. Singed hair tumbled boyishly about his once handsome face. The slight...
Poesía. Edición Bilingüe. Español-Galego
Si el cielo no está escrito ninguna necesidad lo traerá hasta nosotros.
Post-Gaddis, close third-person tragicomedy; linear storytelling, mise-en-scene not overexpansive.
Poesía. Edición Bilingüe. Galego-Español
Cuando regresemos seremos como esos Dioses Albatros de Baudelaire. Desterrados, desposeídos de cielo sobre una sucia cubierta, insultados por marineros borrachos y burlados por el destino de nuestras alas.